Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, July 15, 2010

Traditional liturgical vestments

Terry Nelson, from Abbey Roads, Part of the Minnesota Church Militant, posts in a particular way. If you have never read him, the subtlety of his references to past posts, other bloggers, and the point he is trying to make can easily be lost upon you.

His most recent post is an example. Terry, makes good and obvious points, but it is the FACT that he is making these points about this subject that drives home the message. That being said, I have ripped an excerpt from his post that can resonate with anyone, and should resonate whether you like it or not.

Therefore many of us no longer understand or conceive of our churches to be "the house of God and the gate of heaven" - which in turn may partly explain why the Dutch can play soccer at Mass, in a church, or why dancing and other forms of entertainment takes place during the liturgy elsewhere.
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Losing an authentic sense of the dignity and majesty of God, we easily disregard the proper decorum and dignity and protocol (ritual) in His Presence - which is due to His Majesty. We have vulgarized worship; overstepping our bounds, and we have made ourselves too familiar within the Holy of Holies. Therefore, the restoration of reverent liturgy, along with the revival of traditional liturgical vestments and decorum, can seem foreign and strange, even excessive to many of us steeped in contemporary culture, where the degenerate and profane has become commonplace and the comfort and ease of our casual lifestyle discourages any type of formalism.
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Nevertheless, whenever we are in church, and especially during the liturgy, we ought to be aware that we have "drawn near to Mount Zion, the heavenly Jerusalem, to myriads of angels in festal gathering, to the assembly of the first born enrolled in heaven, to God, the judge of all, to the spirits of just men made perfect, to Jesus, the mediator of a new covenant, and to the sprinkled blood which speaks more eloquently than that of Abel." [Heb. 12: 22-24]
Link: The Majesty of the Cappa Magna

Wednesday, June 30, 2010

Dan Mitsui - Religious Art

Check these out:

St. Michael

St. Columba


If you would like to buy these or other of his art, check out his websites:

or

Tuesday, June 29, 2010

5 Ways Your Parish Can Improve Its Sacred Space

Matt over at Shrine of the Holy Whapping has posted a "How-To" instructional on 5 easy ways (concepts) that any parish can follow to improve their Sacred Space. All of his advice is practical and can be implemented easily and best of all, over time. In other words, his advice takes into account the fact that most parishes don't have millions of dollars to renovate their parish "Extreme Home Makeover Style" and therefore his advice comes in a form that can be implemented at most parishes.

Why "Improve" your Sacred Space? Well unless you are fortunate enough to go to a BEAUTIFUL parish already, then you probably go to a church that in the last 40 years has undergone either renovation or is newly built in the modern-auditorium style. Lately, the faithful have been clamoring for a more Sacred and reverent place for God.

His post is worth reading, and is a very straightforward piece. I suggest that folks print out the post and send it in, or take it in to their local pastoral council, or Pastor. But remember, if you want change, you will have to get your hands dirty, so be willing to either do the work or write a check.

His post is here:

(Church: after simple changes)

Here is the quick list (with my commentary):
  1. Rearrange Furniture:
    • This is the easiest to do.  The point is to be intentional about what you do and liturgically sound. Most Sanctuaries are "random" at best. His advice is small changes to make the Sanctuary more focused on the important things: (for those keeping score at home) The Altar and the Tabernacle. Bringing the Tabernacle "in-line" with the Altar and the Crucifix is an easy start. The Sanctuary should be "useable" in the sense that people walk around in it throughout Mass, and do so in a pretty set pattern. The Altar, Tabernacle, Priests chairs, and altar servers seating should be placed in logical areas and directions.
  2. Consider a New-Color Scheme:
    • This is a simple change. Add some color and texture to the walls. The posters main point here is, because many parishes have white or grey walls running throughout the church, they have a very institutional and cold feeling. Whitewashed walls aren't very visually appealing. They also don't draw people to the Sacred. Use patterns, textures, and break-up for areas of large uninterrupted color.
  3. Add New Paraments and Hangings:
    • This is dangerous advice to give to churches, especially with the fondness for FELT that has be acquired in the last few decades. His point is to use hangings in a way that create a new visual look to the church at a low cost, and in some cases to cover other "problems." We aren't talking "liturgical" colors here necessarily; instead we are taking more semi-permanent hangings, therefore he suggests that colors should be used that are more harmonious to the overall look and feel in the church.
  4. Put In a New Floor
    • This is probably the most "expensive" piece of advice. Carpet is bad. It kills sound, it looks "domestic" and the pattern looks outdated the day that it is new. Not to mention the fact that it gets dirty, and for health reasons should be cleaned way more often than it is. I know in Alaska, carpet is used because there is this thought that it is "safe" in terms of slipping. (Because of all the snow and ice.) Yet, this doesn't have to be done, lock, stock and barrel. Start with the Sanctuary. Use "various" flooring in different parts. The main aisle, near or around statues, etc. The point is you are trying to make the church look more Sacred.
  5. Re-Organize Well-Meaning Clutter 
    • More is not More, and Less isn't always More. The advice here is: taking things away can make things look bland and bare, while adding things, such as statues, to bare areas might just look cluttered. The point is to use a logical relationship between art and structure to create a look and "feel" of Sacred space.
Finally, he gives on last over-arching piece of advice:
Work with what you have, and don't work against it. You may not be able to turn your 1950s A-frame church into Chartres, but if you try to find art that harmonizes with its perhaps now rather quaint attempts at futurism, while at the same time seeking to reconnect it with tradition, the result may have a pleasing consistency to it. Simply dropping garish plaster statuary in a dull modern church results in a museum diorama of the history of American Catholic bad taste. Try instead to find common ground, while at the same time ennobling it in some fashion. Many of the examples of the "other modern" we have showcased on this website may give you ideas. While it may lack the grandeur of Rome or Florence, it can still become a beautiful, unified expression of the Faith.
My advice is to re-evaluate your parish every 3-5 years. This doesn't mean make BIG changes every 3-5 years, it just means re-evaluate. Think about how often you re-decorate your home. I don't mean new furniture and new carpet, I just mean a re-evaluation, and yes buying a new home counts. I would say most folks do it more frequently than 3-5 years. So, why wouldn't we do the same with our parish? Again, the point isn't to stay "modern" or in "fashion" it is to ensure that the space, the church, is Sacred. Little things help and can move toward the Sacred.

Lastly, change is hard for people to accept. My advice is the more regularly you change, add, or remove small things the more comfortable people will get with the idea. This doesn't mean to change for change's sake, it just means that there is no time like the present. Also, Catechesis on the "WHY" of the change is very important. It will explain to people WHY the change is being made, and settle in their hearts a bit the change. Again, change is difficult for many to accept, unless of course the change is POSITIVE and DESIRED. If you explain that the DESIRE comes from GOD, and the POSITIVE is that the new "look" creates a more Sacred and Worship-Worthy space, people will be much more likely to be on board. Remember, you can't please everyone... but we are only looking to please one person here: God.

Tuesday, February 24, 2009

On the Natural Connection between the Arts and Technology

ASCD practically researches ancient history with this post today:

All too often, arts education is regarded as a whimsical activity rather than a serious academic subject. In the December 1987/January 1988 issue of Educational Leadership, former U.S. Commissioner of Education and President of the Carnegie Foundation Ernest Boyer argues that the arts should be considered in both an intellectual and imaginative context.


I love working in the Department of Fine Arts. I've got a little desk in the television studio's control room littered with computer paraphernalia and a small collection of jazz cds; I teach Art History and a course on Digital Audio Production; and I help maintain a lab of Macs including some in the hall where we project student work.

To me, the Fine Arts -- especially in an academic context -- are all about problem solving. To 'make' something is to make a series of decisions. In almost no other discipline is the line between 'getting it' and 'not getting it' so clear. Either you've learned how to make a pot or you haven't. Either you can edit a video or you can't. Everything else is a matter of style and character.

And that's why it's so invigorating to teach. Because, in a way, you get the basic stuff out of the way early. What's left is the real stuff of the soul.

I would also say that in no other department is technology so naturally intertwined with our everyday work. As I write this, the student TV crew is preparing a live production. It's all a blur of kids hurrying about plotting the digital mixers, switchers, multi-monitor set-ups... let alone setting up the cameras, lighting rigs, and everything else. Across the hall, the drawing teacher is projecting enlarged digital versions of classwork for crit. Next door, a dozen students are busy laying out the school newspaper in digital format. My class is down the hall working on a collaborative blog project that I'm monitoring from over here in my office.

More and more, the arts and technology are being merged in completely naturally and beneficial ways. That's the way it should be.